By 1940, Miessner had licensed a patent for his piano design that was used in several electric piano models across the US. Four years later, he demonstrated the piano at the NAMM Show in Chicago. He first demonstrated the instrument in 1932. Inventor Benjamin Miessner designed an amplified conventional upright piano in the early 1930s by taking an acoustic baby grand and installing an electrostatic pickup system in it. Additionally, any debris between the reed and the pickup can cause a short circuit and produce a burst of distortion. Over time, particularly with aggressive playing, the reeds on a Wurlitzer will suffer metal fatigue and break. When played gently the sound can be sweet and vibraphone-like, sounding similar to the Rhodes while becoming more aggressive with harder playing, producing a characteristic slightly overdriven tone usually described as a "bark". This gives the Wurlitzer a sharper and punchier tone. Ĭompared to the Rhodes piano, the sound from a Wurlitzer is sharper and closer to a sawtooth wave, while the Rhodes' is closer to a sine wave. It has one, two or four internal speakers (depending on the model), but can also be connected to an external amplifier. The instrument is fitted with a mechanical sustain pedal. Most Wurlitzer pianos are 64-note instruments whose keyboard range is from A an octave above the lowest note of a standard 88-note piano to the C an octave below its top note. This induces an electrical current in an electrostatic pickup system running at 170 V DC. However, the sound is generated electromechanically by striking a metal reed with a felt hammer, using conventional piano action. The official name of the instrument is the Wurlitzer Electronic Piano. Problems playing this file? See media help. SoundĪ Wurlitzer electronic piano, showing the velocity sensitivity However, the action and performance of the instrument has meant it is stable enough to be used for years. Several electronic keyboards include an emulation of the Wurlitzer.Īs the Wurlitzer is an electromechanical instrument, it can need occasional maintenance, such as replacing and re-tuning broken reeds. The stage instrument was used by several popular artists, including Ray Charles, Joe Zawinul and Supertramp. However, it was adapted for more conventional live performances, including stage models with attachable legs and console models with built-in frames. Originally, the piano was designed to be used in the classroom, and several dedicated teacher and student instruments were manufactured.
The first Wurlitzer was manufactured in 1954, and production continued until 1984. The instrument was invented by Benjamin Miessner, who had worked on various types of electric pianos since the early 1930s. It is conceptually similar to the Rhodes piano, though the sound is different. Sound is generated by striking a metal reed with a hammer, which induces an electric current in a pickup. The Wurlitzer electronic piano is an electric piano manufactured and marketed by Wurlitzer from the mid-1950s to mid-1980s. A Wurlitzer 200A, the most commercially successful model
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